
Embroiled
in litigation of one sort
or another throughout its short history, Talk-O-Phone -- aka The Ohio
Talk-O-Phone Co. -- made few phonographs relative to the talking machine
giants
Victor, Columbia and Zon-O-Phone. The Sousa was Talk-O-Phone's flagship
phonograph, and it was intended to be the last word in talking machine
design. This particular version features gold-plating on the
reproducer, the support arm, the arm bolts, the turntable, the turntable
spindle, the speed control and the horn cradle. It's the most
desirable version of the Sousa, and it's the one that's least often
seen. When launched in 1904, it was priced at $75 -- more than any other
machine being offered at the time, and almost twice
the price of a Zon-O-Phone Grand Opera, which was considered by many at
the time to be the standard bearer for high end phonograph design.

The gold-plated parts exhibit wear to their plated surfaces consistent with their age and authenticity, but all parts on this machine are original, including the reproducer, the crank, the support arm, the arm bolts, the horn cradle, the horn, the two-piece horn elbow, the traveling arm, the turntable, the motor, and the speed control lever, which doubles as an on/off switch. The triple spring motor is also original, and it's good working order, with some normal but not excessive gear noise as it winds down (probably not much more than could be heard when the machine was new). The all brass horn is the largest and most expensive horn that Talk-O-Phone offered. In promotional literature from the period, it was advertised as being 30" in length, but in fact it measures just shy of 29", and that includes the proprietary two-part horn elbow, which was created by Talk-O-Phone to circumvent existing Victor and Columbia patents. The condition of the horn is excellent. There are a few minor dings and some tarnish in spots, but overall you will be very hard-pressed to find a brass horn this large that's in such good shape.'
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