
"Eugène Atget never called himself a photographer; instead he preferred
'author-producer.' A private, almost reclusive man, Atget first tried
his hand at painting and acting, then began to photograph
vieux Paris
(Old Paris) in 1898. He photographed in part to create 'documents,' as
he called his photographs, of architecture and urban views, but he
supported himself by selling these photographs to painters as studies.
Atget carried a large-format view camera, an outdated, cumbersome
outfit, through the streets and gardens of Paris, usually photographing
around dawn; many of these areas--storefronts and public spaces in
nineteenth-century Paris and Versailles--were demolished soon afterward
to make way for rapid urbanization.
Though Atget was not well
known during his lifetime, his visual record of a vanishing world has
become an inspiration for twentieth-century photographers. American
expatriate photographers Man Ray and Berenice Abbott rescued his work
from obscurity just before his death. Abbott preserved his prints and
negatives, and was the first person to publish and exhibit Atget's work
outside of France. Many existing prints of Atget's images were, in
fact, made by Abbott in the 1930s from his negatives."
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